Dennis DeYoung, the legendary keyboard player and singer of Styx, has always been a force to be reckoned with in the world of progressive rock. In a recent interview, DeYoung opened up about his musical journey, the band's evolution, and his thoughts on the current state of the music industry. With a career spanning decades, DeYoung's insights offer a fascinating glimpse into the mind of a true artist and the challenges he faced along the way.
A Progressive Journey
DeYoung's love for adventurous music began with the likes of Emerson, Lake & Palmer and Yes, but he was also influenced by The Moody Blues and The Beatles. He explains, "The vast majority of prog influences in Styx came from me." This passion for progressive rock is evident in the band's music, which blended elements of rock, pop, and classical music. However, DeYoung clarifies, "We were never a fully-fledged prog band." Instead, he describes Styx as a "hybrid" of various musical styles, which is what makes their sound so unique and captivating.
The Label of 'Pomp Rock'
In the 1970s, Styx was labeled as 'pomp rock' by some critics. DeYoung acknowledges that this label was not entirely inaccurate, but he also emphasizes the context in which it was used. "It all depends on the context," he says. "Rock critics have an impossible job: how do you describe music? It’s organic and touches our souls, so summing that up in words is pretty much impossible."
The End of an Era
After the release of 'Kilroy Was Here' in 1983, Styx broke up. DeYoung reflects on this period, stating, "I don’t believe that I have to forgive them; I’ve never said that. They replaced me when I was sick and then had to convince the fanbase that they hadn’t fired a sick colleague." This controversy highlights the challenges that artists face when their bands dissolve, and the impact it can have on their public image.
A New Beginning
Despite the challenges, DeYoung went on to release '26 East, Vol. 1' in 2019, the first of two farewell albums. He explains, "Have you noticed that rock music is dead? Or that there’s no radio anymore?" This realization prompted him to create new music, and he was convinced to do so by Jim Peterik and Frontiers Records. DeYoung's decision to make new music is a testament to his resilience and determination to continue creating, even in the face of adversity.
A Voice That Endures
At 73 years old, DeYoung's voice still stands up magnificently. He attributes this to his disciplined lifestyle, stating, "I wasn’t a drug taker, an alcoholic or a smoker, and when somebody was needed to yell at the children I hired a large Ukrainian woman." This dedication to his craft is a reminder of the importance of self-care and discipline for artists.
A Song for the Fans
One of the highlights of '26 East, Vol. 1' is the song 'To The Good Old Days,' which DeYoung wrote as a duet with John Lennon's son, Julian. DeYoung explains, "It’s important for me to say that The Beatles changed my life." This song is a tribute to his fans, friends, and family, and a reflection on the sweetest days of his past. It also serves as a reminder of the impact that music can have on people's lives.
A Musical Legacy
When asked how he would like to be remembered as an artist, DeYoung responds, "I really don’t care whether or not people remember me. The music is so much bigger." This sentiment highlights the importance of creating music that transcends the artist and touches the hearts of listeners for generations to come. DeYoung's music continues to inspire and captivate fans, and his legacy as a progressive rock pioneer is secure.
In conclusion, Dennis DeYoung's interview offers a fascinating glimpse into the mind of a true artist and the challenges he faced along the way. His music continues to inspire and captivate fans, and his legacy as a progressive rock pioneer is secure. As he reflects on his career, DeYoung's words serve as a reminder of the power of music to connect people and transcend time.
